Gili Tal
born 1983 in Tel Aviv (IL), lives and works in London (UK)
About
- Gili Tal’s work deals with the role of digital and urban interventions in our daily lives.
- She appropriates techniques of commercial real estate photography, imitating the fetishization of urban scenography.
- She points to a tired sameness in every city and the absurd desire to engage the public by replicating the “Bilbao Effect” everywhere.
- Using commercial materials, production techniques and structural supports, Tal prints on billboards, window blinds and tarpaulin.
- She investigates the visible that offers nothing and the invisible that guides us spatially though small but compounding social controls.
- Her repeated motifs of stock-image windows depict digital rain washing out a “Shutterstock” watermark. The distinction between the digital simulation and the physical is blurred, asking how a generic picture could possibly anticipate the subjective experience of the analogue world – and vice-versa.
Lender
Galerie Francesca Pia, Zürich (CH) www.francescapia.com
Education
- 2008-10, MA from Goldsmiths College, London (UK)
- 2003-06, BFA from Camberwell College of Art, London (UK)
Selected exhibitions
- 2021, Stop Painting, Fondazione Prada, Venice (IT)
- 2020, The Cascades, Kunstverein Braunschweig (DE) Not working. Artistic production and matters of class, Kunstverein München (DE)
- 2019, Mastering the Nikon D750, GTA, ETH, Zurich
- 2018, Readymades Belong to Everyone, Swiss Institute, New York
Artworks
Gili Tal Spaces for Reflection, 2019 Lazertran decal paper and varnish on canvas 170 × 120 cm
Gili Tal Windows (Winter) 1, 2021 UV print on canvas and blackout material 160 × 150 × 2.5 cm
Gili Tal Windows (Winter) 2, 2021 UV print on canvas and blackout material 160 × 150 × 2.5 cm